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Nordic Queens Thyras Treasures. The audience is so used to seeing the artifacts of film grain that when it isn't there the image seems "unnatural" to the viewers.

Ironically film grain is something that the industry has been trying to reduce for years to get better image quality. He was highly amused that they wanted to duplicate effects that technicians and equipment makers have been trying since the advent of film to eliminate.

Similarly, the author of an earlys book on musical electronics amps and recording equipment, not synthesisers rather disgustedly remarked that engineers had worked for decades to eliminate distortion from amplifiers There's been a jarring trend for makers of 3D Movies to add in lens flare and then apply 3D effects to it.

This makes the lens flare come out of the screen towards you. The stroboscopic effect often seen on spoked wheels, fans, helicopter blades, etc.

Morse code is always received as through a WWII-era radio: Use of defibrillators those machines that deliver a short pulse of electric current via two paddles when someone has one of a number of heart condition emergencies always causes the recipient to flex up from the bed, which never happens in real life.

When using the defibrillator, the defibs always charge with an audible, high pitch sound, the defib paddles are always rubbed against one-another when charging, and when discharged, the defibs must make a loud SHUNK.

In reality, the users will say, "Clear the patient," and then check to see if all persons are no longer touching the patient. A single dramatic "Clear!

Also, a conductive gel is used on the electrodes; rubbing them together helps smear this out evenly, though in many filmed cases it's pretty clear that no gel was applied and the actor is just rubbing the electrodes together because "that's what you do.

Manual defibrillators with handheld electrodes are very rare nowadays. Modern systems almost always come with a pair of stick-on electrode pads just like an AED on which the adhesive also acts as a conductive material.

These pads are applied to the patient and left in place, with the defibrillator itself being an integrated feature of a modern portable EKG monitor that also tracks the heart's electrical activity when not delivering a shock.

In addition to this, a defibrillator is unable to revive a "flatlining" asystolic patient, contrary to their depiction in medical dramas.

The heart's electrical system controls the muscles of the heart. A defibrillator is designed to "reset" the heart's own electrical system when it's erratic and causing the muscles to contract wildly fibrillation, as in defibrillator.

If the muscles of the heart are no longer responding to the electrical system for example, Pulseless Electrical Activity , or if the electrical system is down asystole , there's nothing to be gained by shocking the patient.

Not to mention now that AEDs have become fairly common in large public venues, the device, while completely silent for charging and discharge, has a speaker built in that recites instructions to the user and tells them if the patient's heart rhythm is shockable.

Some will include a high-pitched warning tone to alert you that it is charging, and another synthetic sound effect when the shock is delivered. The pleated kilt as we know it today was invented in the 18th century; prior to that there was the greatkilt, which was essentially a big blanket which may or may not have been tartan wrapped round the waist and pinned at the shoulder.

This probably dates from the 16th century. It was illegal for Highlanders to wear a kilt between and - it was seen as a rebel military uniform.

Modern "Highland dress" was invented in the lowlands in the 19th century. The upshot of all this is that Scotsmen in kilts in nearly every historical period tend to be wrong, unless it's The Present Day and they're at a wedding.

It does appear that Highlander got this fairly right, at least in the series flashbacks. Duncan and co are wearing the correct greatkilt.

Medieval clothes are usually depicted as dull drab, grey or brown colours. The truth is that natural fibers sans linen, which is notoriously difficult to dye can be easily dyed and the whole spectrum of vegetable and mushroom dyes were available in Dark Age Europe.

Medieval clothes were actually brightly colored, even garish, especially those of townsfolk. Even linen could be dyed blue in the Middle Ages.

Bright colors were in fact both available and fashionable. This is most likely because people are used to seeing clothes in museums, where the dyes have faded and dulled over time.

This is also why brown ink is associated with olden times. The black ink they really used faded to brown. Aniline dyes were available from onward, and fashion called for color combinations most modern people would describe as clashing, like bright yellow and mauve.

The Gay '90s may be an exception, at least when done in color. See also Gorgeous Period Dress. One of the reasons we assume the Victorian Age was big on whites and pastels is that the Neo-Classical period that immediately predated the Gay Nineties was influenced by contemporary beliefs about Roman and Greek times see below.

It's not surprising that the best-known fashion crazes of Victorian times are the last two: When a character in a film sparks up a cigarette lighter, nine times out of ten it will make the distinctive "Ching!

Since the s, the Zippo and its knockoff twin the Star has become so ubiquitous that many viewers unconsciously associate it with the act of lighting a smoke, even if the lighter in the shot would not make that sort of noise at all.

People expect to see ancient Romans and Greeks in films wear white togas, etc. Of course, the ancient sculptors actually painted those statues in lively, more or less realistic colors, right down to the pubic areas.

The paint simply wore off over the centuries. You'll often see the toga worn by all kinds of Romans and Greeks.

But in the Roman Republic and early to mid Empire the use of the toga was restricted to male citizens, and as it was hot and uncomfortable it tended to be worn only when absolutely necessary - in the Senate, for instance, or in a court of law.

Roman women wore very stylish and fashionable clothing - and their styles changed from season to season, just like ours - but they generally didn't wear the toga: The Greeks didn't wear the Roman toga at all but they did wear a variety of other garments, including one that looked quite like the "toga" worn by modern college Greeks There are a few examples of sculpture still retaining its paint.

One example in Turkey that had been buried underground was preserved well enough for restorers to see a faded version of the original color and infrared tech is now allowing us to see the invisible paints.

Many of the statues found by 19th century archeologists had visible traces of paint on them - which they then carefully scrubbed off, because that's not how they were supposed to look!

For togas, basic wool was used, starting white and dirtying with use. There was little washing outside of servants and those who did a large quantity of business went through 3 to 4 togas a year.

It was more or less standard in the way the black or dark blue suit is today and generally considered formal wear for business, in the Forum or elsewhere.

The pure white toga candida colored with chalk was the uniform, so to speak, of men running for office, hence the word 'candidate.

Even then these were poor and the colors faded to pastels quickly. There were also special Togas besides the aforementioned toga candida: Toga Praetexta had a purple or maroon colored stripe around the border which represented a current magistrate, former magistrate, priest, or freeborn boys who were not yet men.

A black or grey toga called Toga Pulla was for mourning. When Caesar seized power he often wore this, which convinced people he was crazy enough to think himself a god - this led to his downfall.

Fortunately the misconceptions are avoided in the series Rome , which portrays characters as accurately wearing the toga candida as noted above, but otherwise wearing colors appropriate to their rank such as the senators wearing Togas with the appropriate stripe.

Peasants wear a variety of colors, as do nobles, when not in a formal environment where the formal clothing must be worn.

Of course this is also from the series that researched correct Roman graffiti, so hardly surprising. Also, the 'toga' proper was only worn on very formal occasions; it was spectacularly impractical, using huge amounts of fabric and needing one arm constantly held up just to keep it on.

The clothes worn by most people most of the time are confused with togas, probably because it seems to have been loose and drape-y most of the time, but probably comprised a lot less fabric and more actual seams One example that even Rome failed to avoid is Ancient Greeks and Romans wearing wristbands.

Forearm armour did exist, but was not common; no culture of the Ancient world ever wore the things as standard part of their dress.

Armbands and other forms of jewelry were of course worn but they would have looked quite different.

Yet, every movie, every TV series and every documentary about the period will show just about everyone wearing wristbands, and will frequently involve scenes showing them in loving detail as they are donned or taken off.

All because the early epics of Hollywood were supposed to look exotic, and they needed more ways to display the lavish riches of the Ancients Greek architecture is almost always shown to be austere marble.

At the time, it was austere marble covered over with bright, gaudy paints. Speaking of Greek architecture, they built some of the larger temples with pillars closer to the edges leaning slightly towards the middle to give the illusion to the viewer that they were completely vertical.

One notable exception being the Parthenon; the pillars on that one actually are straight. Might count as the first example of the trope.

It was pointed out on QI by Jimmy Carr that in movies set in ancient Roman and Greek times the iconic buildings appear as ruins. Usually caused by location shooting instead of mattes or CGI nowadays.

Alternatively, movies tend to portray Rome as full of grandiosely planned monuments, streets and public buildings; in real life Imperial Rome was usually a mish-mash of things built decades if not centuries apart and many never-finished projects due to various reasons, such as the inevitable result of a government of fiercely ambitious and competing bureaucrats, unpredictable and abrupt regime changes, and several God complexes from various emperors.

The classic example of this is in Gladiator , where Commodus enters Rome along a long road in the middle of a large open space so that crowds can cheer him.

Neither the road nor the open space existed until Mussolini's regime. Similarly, movies featuring the ancient Egyptians tend to make the dominant building colors sand or gray because that's what the tombs and temples look like now, and what the audience has seen in pictures rather than the bright painted look that archaeologists have known for a long time they originally were.

The Pyramids are a perfect example of this. When they were originally constructed, they were covered in limestone and gold, so they would have been sparkling white with a gold tip.

But they're always sand colored in shows. The gold was actually stolen in the meantime, as was the limestone which was used for many buildings in Cairo.

The Egyptian showed this in the opening scenes: Interestingly, a lot of video games set in Ancient Egypt avert this. Whether that's because the developers did do their research or because they realized that normal people don't like to stare at variations of beige for hours on end is another question.

One intro movie even includes the golden pyramid tips, though in-game, the pyramids are only shiny, shiny white. The Sphinx is an even bigger example of this: This was maintained for centuries and was one of the most common forms of Sphinx.

There's also evidence that the face originally had a beard. Arabian-style music wasn't present during Ancient Egypt times, yet it is constantly used as a background music when Egypt is depicted.

At the moment, only the instruments played back then are known, but none of the actual music scriptures have been found.

Giuseppe Verdi managed to avert this in Aida. The chant and dance in the Temple Scene are based on Egyptian traditional songs brought to him by Edouard Mariette Bey, the Egyptian Museum director who asked Verdi to write this.

Mostly, he used a pentatonic scale of the kind heard everywhere in the Middle East, Asia and Eastern Europe. Even less known is that the Mesoamerican natives also painted their pyramids in bright colors the Aztecs mainly in white, while the Mayas favored red.

This is probably where the penchant for bright colored buildings in modern day Mexico and Central America comes from. Thunderclaps are usually heard at the same time as lightning, even though we all know light travels faster than sound.

This is also a problem with other loud things happening far away, such as fireworks or nuclear explosions. Amusingly, in The Sound of Music , Maria tries to comfort the children during a lightning storm by explaining that "the lightning says something to the thunder and the thunder answers back".

Of course, the thunder and lightning in the film happen at once, so apparently Lightning and Thunder are talking over each other.

Poltergeist is one movie where lightning flashes silently, followed by the rumble of thunder several seconds afterwards, but this is actually a plot point.

The Video Game Remake of Resident Evil features thunder that lags several seconds behind the lightning, typically seen through windows. This arguably creates a sort of setting-based Uncanny Valley that further reinforces the Haunted House vibe you get from exploring the mansion.

For that matter, most anything sufficiently old will tend to be a bit drab. Things set in the early part of the 20th century will tend toward grays, while the latter half of the 19th tends to favor browns.

While this is sometimes intentional to evoke the feel of a black and white film or sepia photographic plate, it just as often comes more from the fact that the set and costume designers were working from colorless references.

In the middle ages, houses, clothes, and churches were uniformly brown, and in colonial America, everyone had white hair. Characters reading from books will typically open to the middle of the book and start reading from there, as if the pages up until that point were all blank.

The only exceptions are if the book is comically huge , opening just the cover to emphasize how heavy the reading will be. In any film involving skydiving, the parachute is deployed either by pulling the metal handle on the harness or pulling a rip cord.

The metal handle actually deploys the reserve chute, not the main, and modern parachutes do not have rip cords. The handle for the main chute is located underneath the bottom of the parachute pack, and it is connected to the drogue, or pilot, chute.

The skydiver simply pulls off the handle and throws it in the open air. The handle is connected on the drogue chute, which opens in the slipstream, and then deploys the main parachute.

Likewise, all depictions of parachutes tend to be the old-fashioned "bell" parachutes. In reality , they are today used only by army paratroopers as they open quickly at low altitudes and dropping gear and equipment.

All skydivers today use square "wing" parachutes. Swords tend to make a metal-on-metal scraping sound when drawn, no matter what the scabbards are made of.

The first metal scabbards which really do make this sound come from the late 19th century. Scabbards were of leather and wood before that.

In The Lord of the Rings movies swords make a steel-against-steel sound when drawn from leather scabbards. It is alleged that they originally intended to use more realistic sounds, but in a textbook example of the Coconut Effect decided that it sounded "wrong" on film.

The visual commentary from Kingdom of Heaven states that the metal-on-metal sound is just for dramatic effect; if a scabbard were designed in a way that would produce that sound would likely end up ruining the blade's cutting edge.

The modern version of the last entry is that people apparently always walk around, even if actively hunting somebody or in battle, with their guns effectively unloaded.

They will then apply the up-to-date dramatic noise of chambering a round or cocking the hammer before firing.

Truth in Television , for most westerns. Guns of the period tended to be dangerous to carry in a charged state—an unlucky bump could discharge the weapon prematurely.

Hence, most revolvers were loaded with five rounds and left uncocked on the empty sixth chamber. Repeaters and shotguns received similar treatment, requiring the showy pump to be ready to fire.

Lampshaded by Kiefer Sutherland in Phone Booth: You know like in the movies just as the good guy is about to kill the bad guy, he cocks his gun.

Now why didn't he have it cocked? Because that sound is scary. It's cool, isn't it? In many anime, most noticeably Rurouni Kenshin , every time a sword moves while drawn, it makes a metallic clicking noise.

This is usually used like gun cocking to indicate that a character is serious. This is only Truth in Television for a loose sword with an all-metal hilt, not a common construction for Japanese katana.

Oddly enough, the Trust And Betrayal OVA which is done in a more realistic style than the TV anime actually uses this clicking sound in the correct context — it shows that the sword has not been used for some time and has not been maintained and emphasizes the desperation of the situation.

Under normal circumstances you should never hear this sound. When Becky and the 1-C class go into Himeko's mind, Himeko serves a meal of crab More casual anime fans and non-fans in the West expect anime to have a particular character design, with semi-realistic bodies and distinct eyes and hair, commonly called the "anime style.

Even hardcore anime fans run into this problem; with the increased involvement of Western studios helping with Japanese animation in The New '10s , some think the more "non-standard" art styles are due to demands from said studios rather than the Japanese studios themselves.

What further muddles it is that some of the more notable character designers that helped in Western animation throughout its history were in fact Japanese, meaning their time working on those series would inevitably rub off on them when they did original properties as was the case with the team behind The Big O.

Expect any crime anime that takes place in the United States during Prohibiton to exclusively use Italian hoods , Irish and Jews be damned.

However, this doesn't change the fact that every single Gundam universe has sound effects in space battles Needless to say, every other speedster in The DCU has to be able to do all these things too.

In fact, they've added a special phlebotinum to the Flash canon - the Speed Force - to explain the more impossible ones it lets him absorb speed from bullets, impart it upon people he carries, and gives him total control of his body's molecules.

Most non-DC speedsters won't be able to turn intangible, but they'll still be expected to be able to run across water and along walls and ceilings and to catch bullets as though their palms were armored - hey, the Flash can do it, why the heck can't Quicksilver!?

The running across water is justified: The use of huge, gaudy onomatopoeia or, depending on how people describe the phenomenon, "sound effects", "Batman words", or even "noise words".

He is the Trope Namer , after all. Parodied in Monty Python and the Holy Grail: They didn't actually have horses, just the coconuts. Ironically, the producers actually wanted to use real horses but didn't have the budget and the coconuts did a better job at the whole Rule of Funny bit.

Rocky Balboa , the sixth Rocky film, had realistic boxing sounds inserted during the actual match between Rocky and his opponent. The last few Rocky sequels before this had grown increasingly dependent on unrealistic boxing sounds, and the more authentic noises spat in the face of that dependency.

Accordingly, instead of using the dramatic cinematic effect for the entire ending, the fight was presented like an ESPN pay-per-view event, complete with stats charts, graphical widgets and even the clock during the first round.

Ironically, Ring Girls , which is for all intents and purposes a documentary although "creatively" edited to look more like a reality show , nevertheless added Hong Kong sound effects over all the punching and kicking, completely ruining it for every martial artist or even fan out there.

It did not make the movie any more popular. In another camera example, many films will add in the sound of a chemical flash bulb firing a very recognizable whoosh whenever they show flash photography, regardless of whether these old-timey flash bulbs are depicted on screen, or what era the movie is set in.

Martin Scorsese and Wes Anderson frequently do this. In an interesting inversion, when an older-model electronic flash is used, the noticeable whine many make as they recharge is usually absent.

This may be due to the sound effect having been co-opted by futuristic Noisy Guns. The sound effects used in hand-to-hand combat in the Indiana Jones films are extremely over-the-top e.

Ben Burtt, the sound designer for all the films, says on a DVD extra that he decided to make the punches over-the-top on purpose as he felt they were making a comic book brought to life.

And any Bollywood movie portrays it much, much more over the top. The Batman film franchise on a whole is guilty of this; despite the fact that blue and grey are much better urban camouflage colors, he always retains his black rubber armor in Live-Action Films save for the Adam West one.

The sound effects in The Dark Knight are deliberately "one up. More a stylistic choice, but still the trope. Notably, the third movie never highlighted it at all, with Spider-Man's reflexes and Spider-Sense all rendered in real-time.

Digital readouts are an excellent example. In The Taking of Pelham One Two Three , the subway's digital speedometer makes a series of increasingly faster beeps when shown on screen, despite it being established there's no beeping noise when the trains are driven normally.

Common also in Knight Rider: In only a few cases are there closeups of slow speed changes with the corresponding tick. In addition, no wide-angle shot includes audible ticking.

The serial The Phantom Empire , since it has a radio Show Within a Show , actually shows coconuts being used to make horse sounds.

Being partly a Western, it no doubt had many traditional examples too. An intentional example in Airplane! The creators originally wanted to use a propeller-driven DC-4 the one from Zero Hour!

The Sequel has a similar effect, but on a space shuttle. Jake's punches seemed to be even louder and more exaggerated than other characters. The films are notable for their use of invented foley effects created by sound designer Ben Burtt.

For Attack of the Clones , George Lucas decided not to use the stock sound effect of lightning and thunder coinciding with each other during the thunderstorm on Kamino, instead having the lightning happen a few moments before the thunder crashing.

In the commentary for the prequels, they talk about how Yoda's CG design had to compensate for the visual effect of Yoda being a puppet in the older films.

For instance, Yoda's ears wiggling when he moved was originally a side effect of the material used to create the puppet, but they actually replicated the ear-wiggling when he went CG simply because audiences had already accepted that Yoda's ears are just supposed to do that.

The image of the alien spacecraft in Independence Day sweeping over the flag on the moon is probably the most iconic sight of the film second only to the destruction of the White House.

In the same way a poster exposed to direct sunlight fades over time the dyes used in the flags by the Apollo missions have all completely faded away leaving nothing but white pieces of fabric in their place.

Sunshine is especially guilty of this as, despite aiming for scientific accuracy to the extent of having Brian Cox acting as an advisor, it's still riddled with inaccuracy.

In the movie's defence, however, Danny Boyle noted that the movie didn't feel right without things like audible whooshing and visible distant stars.

During the movie, they're making silent electric cars "roar" as if they had loud combustion engines. Done literally and in-universe in Murder!

Also done in-universe in Spite Marriage , when Trilby's theater troupe needs to simulate horse's hooves. In It , the titular entity no longer has the original story reasons for assuming the form of Pennywise the Dancing Clown.

In the book, this was because IT could not change forms on a whim and ITs guises followed the rules of the form it took— a werewolf form would be vulnerable to silver bullets, but scary clowns have no rules, so it's an ideal avatar.

In the film, though, IT can shapeshift at will and ITs weakness is simply that its victims' imaginations can overrule ITs plans, so there's no real reason for IT to default to Pennywise other than the fact that it's such an iconic character.

They make an audible beep every second, but it's not actually the case for real life digital timers such as the one in microwaves. The short story Damned Spot by Julian Rathbone, a Deconstruction of historical whodunnits, notes that oak darkens with age, so the dark oak we associate with Elizabethan architecture and furniture would have been quite pale at the time, before deciding that it's more important the setting fits the modern perception of Elizabethan era.

In the Hyperion Cantos , farcasters are implanted with devices to make a person stepping through feel like he is traveling.

Of course, nobody really knows if he is or not, but they do wait patiently. Kornbluth story The Marching Morons features this in cars, which have speedometers that go to somewhere around MPH and exhausts that literally belch fire, both purely for effect.

The modern-day "protagonist" notices that when the speedometer reads he feels like he's going maybe 60, and then later notices that the engine roar cuts off a fraction of a second AFTER the car stops because it's an effect added to make it seem like the cars are faster and more powerful than they really are.

Despite the fact that it purports to have at least something to do with reality, the hit U. In the s, the Univac I computer executed operations so slowly that the engineers made a different "beep" occur for every type of instruction.

This allowed programmers to tell, for instance, if the machine was executing a long loop, had stalled, etc. Only the Univac I did this, it was used almost exclusively in a back room at the U.

Census bureau, and the beeping computer was quickly retired when faster computers were built in the late 50s. However, when the machine was new, the marvelous "artificial brain" was demonstrated for TV news and documentaries.

The "beep-beep-boop" sound then got a life of its own because there wasn't really anything else in a TV computer to tell the audience that the computer was doing anything.

Soon, all TV computers had to produce a series of beeps of various tones. The original Star Trek avoided this by having the computer's voice say "working The beeping sound was mandatory in TV-show computers well into the 80s, until the trope happened in reverse.

The common man began using home computers and the pointless, sourceless beeps came to be properly seen as idiotic.

The Chef is trying to get his chicken to lay an egg and after it looks like she has, he angrily declares that the object is not an egg but a ping-pong ball.

The humor is, of course, that the audience would expect the ball to double for an egg in the sketch, making it surprising when the Chef refers to what it really is.

Battlestar Galactica did this when the Galactica warped into the upper atmosphere of a planet and immediately burst into flames.

Reentry fire comes from the massive sideways velocity any orbiting object has. The ship started from a dead stop, but most people equate falling from space with fire.

But they probably did it because fire makes things cooler. Potentially justified due to possibility that the flames were caused by the near-instantaneous displacement of an enormous volume of air caused by the Galactica's jump.

Half of what the MythBusters do is based on this trope, testing out the way things work in reality vs. Parodied in Gilmore Girls Ep.

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